Behind the Red Velvet Curtain: An American
Ballerina in Russia by Joy Womack
The American
dancer’s experiences studying ballet in Moscow and performing in Russian ballet
companies have been presented in a documentary and a feature film (Joika).
Now delivered as a memoir, as told to journalist Elizabeth Shockman over a
twelve-year period, the ballerina candidly shares struggles and strife as she
sought to perfect her art and obtain a position in one of the world’s most
historic and influential theatres. Raised in a large, eccentric, and devoutly Christian
family, Joy was motivated, ambitious, and success-driven. Her dance training began
at three years old, and ten years later she left her Austin home to study in Washington,
D.C. at the Kirov Academy of Ballet. Steeped in Russian technique, she was
inspired to apply to the Moscow State Academy of Choreography, the feeder
school of the Bolshoi Ballet. The good fortune of acceptance was accompanied by
the curse of a painfully cracked foot—something she was resolved to conceal
from instructors and staff. Plunged into an academic program carried out in the
Russian language, which she had to learn, she endured stringent ballet training,
while simultaneously assimilating into a very foreign culture.
In pursuing
her dream of eventually dancing at the Bolshoi, Womack confronted numerous
challenges—foot surgery and recovery, an eating disorder and its adverse effects
(fractured wrist), a Russian marriage of convenience that enabled her employment
at the theatres of her dreams. But her pride in becoming the first American
woman to perform with the Bolshoi—in the corps de ballet—and obtaining Russian
citizenship was marred by a public relations disaster that resulted from
speaking openly about offstage corruption. A transfer to the Kremlin ballet
company offered temporary satisfaction, and the covid pandemic ended her
fraught period at Boston Ballet. She returned to Russia with an American second
husband as prima ballerina in lesser, more compatible ballet company. But Vladimir
Putin’s invasion of Ukraine forced the surrender of her desire to remain in
Russia.
Womack’s stark honesty and self-revelation
is enhanced Shockman’s narrative and descriptive skills, and the benefit of
having tracked the dancer’s progress and setbacks over many years. The insider
account of the Bolshoi in particular, Russian ballet in general, and the politics
of the times make this a worthwhile and engaging read. (Rowman &
Littlefield Publishers, hardcover/ebook, 379 pp., March 2025)
Tangles by Kay Smith-Blum
This enthralling dual-timeline, dual-viewpoint
debut thrusts the reader into twin eras of environmental danger and
governmental, corporate, and institutional deception affecting individuals in
the vicinity of the notorious Hanford plant. A fact-based and effective
combination of tragedy, suspense, and heartbreak, the novel explores the
horrifying impacts on health and nature during the early eras of atomic and
nuclear experimentation and production. Protagonists Mary and Luke, flawed and
driven, are united in their separate missions to expose multiple threats to their
family members and the broader community, either directly employed by Hanford
or otherwise dependent upon its potentially deadly operations. From the opening
pages, they boldly disregard the peril their pursuit of the truth poses to them
and their loved ones, and their efforts to expose corruption and malfeasance instill
the story with a pervading sense of doom and dread. Through her exquisitely
evocative writing and skillful plotting, Smith-Blum achieves a triumph in
storytelling that magnificently serves the high purpose her characters fight so
hard and so desperately to achieve. (Black Rose Writing, 286 pp.,
paperback/ebook, December 2024)
Pointe of Pride by Chloe Angyal
In her follow up to Pas de Don’t, her
romcom debut, former dancer Chloe Angyal provides an engaging enemies-to-lovers
tale set in her native Sydney, Australia. Sparky New York corps de ballet
dancer Carly Montgomery puts friendship over prospects for promotion by serving
as maid of honor for her bestie, prima ballerina Heather Hays. On her arrival
she has an unpleasant encounter with a handsome jerk, whose luggage gets mixed
up with hers, and who naturally turns out to be the groom’s best man, Nick
Jacobs. His dancing days are long past, his career as professional photographer
hasn’t taken off. Carly, committed to her profession, also suffers internal
injury that requires extensive physical therapy prohibits penetrative sex
The bickering couple agree to make nice throughout
preparation for the nuptials, all the while sparring out of their friends’ presence.
Carly taking advantage of Nick’s supposed fame as photographer, enlists him to
take dramatic pictures of her in scenic locations in the Sydney environs, with
the intention of boosting her Instagram profile. A multitude of followers and
enhance popularity, she’s sure, will result in her longed-for rise in the
ballet company back home. When carefully concealed secrets are fully revealed,
the romance as well as workplace prospects are imperiled.
The pace of the story never flags, Nick and
Carly are pleasingly flawed and equally captivating, and the ballet content is well-presented. The result: another winning
story from Angyal.
(Amberjack Publishing, 378 pp., paperback/ebook,
May 2024)
The Painter’s Daughters by Emily Howes
The painter is famed British portraitist Thomas
Gainsborough, and the daughters are keen observer Peggy and her mentally
unstable sister Molly, his favorite subjects from their innocence childhood to
their maturity. When he moves the family from rural Suffolk to the fashionable
spa city of Bath, Peggy grows ever more protective of Molly, striving to keep
parents and others from discovering the seriousness of her malady. She also
recognizes her parents’ foibles and faults—an unfaithful father and a stern,
social-climbing mother constantly aware that the family fortunes depend upon
flattering and pleasing the rising artist’s wealthy and aristocratic patrons.
This is also a dual timeline story, set in an
earlier period, as Meg, a desperate country girl, seduces and is impregnated by
a German prince, the heir to England’s throne. Her history is woven throughout
the novel, as she attempts to trace her royal lover in London and secure the
support she believes and her child are
owed. Before the conclusion of the Gainsborough girls’ story, her connection to
them is clarified.
Howes paints with words as she reveals Peggy’s
inner life, her love for and callous betrayal by a musician, and her constant struggle
to cover her sister’s mental lapses and save her from the horrors of a
madhouse. Molly, chafing at the severe attempts to control her, is determined
to prove that she’s destined for a life of her own choosing, but her temporary escape
from the family only plunges her deeper into distress.
The author depicts the Georgian era, domestically
and socially, with painstaking and evocative detail, and the few lapses in accuracy
cannot detract from the power of the writing and the characters, drawn with the
same precision as a Gainsborough painting. A tale of devotion taken to extremes,
with life-altering consequences, it is sure to please historical fiction fans. (Simon & Schuster, 352 pp., hardcover/ebook/audio,
February 2024)
The Fortune Seller by Rachel Kapelke-Dale
Competing on an equestrian team with the
daughters of millionaires and billionaires is difficult enough for a girl who
isn’t born rich. Add the pressures of Ivy League schooling and uncertainty
about what professional path to follow after graduation, and it’s no wonder Yale
senior Rosie Macalister is muddled. Her situation worsens when she arrives in
the rented Victorian house that she and her upper-crust teammates share and discovers she’s
stuck in a double room with a complete stranger. Not only has the lovely and mysterious
Annelise apparently stolen the affections of Cressida Tate, Rosie’s best
friend, she’s also an enviably skilled rider. But Rosie unexpectedly bonds with
the West Coast newcomer, attracted by her warmth and intrigued by her tarot
readings. She becomes her roommate’s pupil, friend—and defender, when
mistrust severs longstanding friendships.
Reeling from tragedy and loss, Rosie settles
for a post-graduation job in finance that is at odds with her longstanding
desire to follow her parents’ profession and become a vet. Torn between her
desire to achieve wealth and her longing to care for animals, she tries to
navigate her way through betrayals, revelations, and a budding romance doomed
by her circumstances and conflicts. A twisty plot, the interweaving of tarot
cards and lore, the unpredictability of highly strung horses, characters of
privilege and of wasted promise, laced with mystery and suspense lead to an impressively
satisfying yet bittersweet conclusion. (St. Martin’s Press, 320 pp.,
hardcover/ebook/audio, February, 2024)
The Still Point by Tammy Greenwood
Movingly told from multiple viewpoints, Greenwood’s novel
is a realistic deep dive into the challenging and intensely competitive world
of young ballet students and their mothers, who confront the same insecurities
and inner agonies as their talented daughters. The catalyst for conflict at Costa
del Luna Conservatory of Ballet is rogue French dance star Etienne Bernay, visiting
ballet master, who arrives at the academy with a documentary crew. He will
direct the annual production of The Nutcracker and will also choose one student
to receive a scholarship to the Ballet de Paris Académie. Cue the rivalries.
Ever Henderson, widowed mother of two, has high
hopes for her daughter Bea, who spent the summer studying dance in New York.
And indeed, Bea is singled out for attention—more so than Savvy Jacobs, the school’s
star. Whose ambitious mother Josie, divorced and divorcing again, believes she’s
gained an advantage by securing Etienne as tenant of her guest house. Realtor
Lindsay Chase, mother of Bea’s best friend Olive, is troubled by her faltering
marriage, worried that her husband is cheating, and is dismayed by her daughter’s
sudden transfer of loyalties to privileged, unlikable Savvy.
Bea is tortured by memories of her behavior at a
late-night party, which resulted in ostracism by her peers. The preferential
treatment and starring role given by Etienne, her prominence in the documentary,
and a developing romance with a male classmate can’t compensate for the
knowledge that she’s responsible for Savvy’s cruelty and her abandonment by
Olive. Just as the mothers must face the realities of their own choices and
mistakes, the daughters will each pay a price for theirs. Meanwhile, the enigmatic,
charismatic disrupter Etienne choreographs a holiday spectacle that will
determine the fates of his dancers and their parents. An intimate, brutally
honest yet touching depiction of the demands of the art form and the dedication
it demands from all involved, those who study and perform as well as the family
members who struggle, sacrifice, and support along the way. (Kensington, 304
pp., paperback/ebook, February, 2024)
The Boy from Kyiv: Alexei Ratmansky's Life in
Ballet by Marina Harss
Impressively thorough and impeccably informed, this biography
of the Russian-born and Ukraine-raised international choreographer Alexei Ratmansky
is more than a journey through a storied and celebrated life in the arts.
Firmly founded on personal interviews with the subject himself, his spouse, professional
colleagues, dancers, dance company employees, rivals, and critics, it provides
a highly detailed and fully human portrait of a creator and his drive to
create. Harss not only provides Ratmansky’s personal chronology and professional
itinerary, she delves into the many sources of his inspiration and his quest to
coalesce his classical ballet and regimented Russian training with techniques absorbed
during his tenure dancing in the Royal Winnipeg Ballet—where he expanded
earlier youthful experiments in choreography into works for company performance
and public consumption—and at the Royal Danish Ballet, where he was significantly
influenced by the Bournonville style of movement and mime.
Through increasing experience and knowledge, relying
on limitless imagination, Ratmansky translated the musicality and brio of his
own stage performances into a choreographic style. Through a marriage of high classicism
and accessible modernism, he often explores Soviet themes and history, expressed
with irony and humor and typically performed to favorite Russian composers (Shostakovich,
Prokofiev, Rimsky-Korsakov, and Rachmaninoff). Harss examines Ratmansky’s
passion for remaking canonical ballets at the major companies around the world—Paquita,
Sleeping Beauty, Swan Lake, Giselle—based on his painstaking and dedicated study
of original dance notation and character presentation. In these efforts he is
ably assisted by his wife Tatiana, a Ukrainian former dancer and constant presence in his
private and professional life. The
tragic coda, Vladimir Putin’s 2022 invasion of Ratmansky’s beloved
Ukraine, affects his sense of identity and instantly ruptures long and fulfilling relationships with Moscow's Bolshoi ballet and other Russian companies where his
works were created and performed, whether to acclaim or criticism.
In this outstanding and revealing biography, its
subject’s achievements as well as his ambitions—and his self-doubts—are movingly
presented. Rehearsals and performances are presented with clarity, and ballet
steps are effectively described, enabling the read to follow and understand the
kinetics of dance. Regardless of one’s familiarity with Ratmansky and/or his
ballets, this is an illuminating and informative work, and therefore highly recommended
to both passionate and casual fans of the dance, and anyone interested in the
process of artistic growth. (Farrar, Strauss and Giroux, 496 pp.,
hardcover/ebook, October 2023)
It Happened One Fight by Mareen Lee Lenker
Strong-willed film star Joan Davis, an amalgam
of cinema dames Joan Crawford, Bette Davis, and Barbara Stanwyck, is desperate
to recover from being labeled “box office poison.” Her prior on-screen partnership
with rising heartthrob and prankster Dash Howard (modeled on the early-career
Clark Gable) faltered after a very public altercation. When the studio re-pairs
them in a dramatic film set at a Reno divorce ranch, as with the best screwball
movies, mayhem ensues. Echoes of the Golden Age classic It Happened One
Night are embellished with twists that include an inconvenient revelation
of the protagonists’ marital status, an even more inconvenient love affair, the
place of ambitious women before and behind the cameras, and the machinations of
a malevolent and self-important gossip columnist (clearly inspired by Hedda
Hopper and Louella Parsons). The combination of factors results in an agonizing betrayal
and threaten to destroy the main characters’ personal and professional lives. A
fun and pacy debut, with appeal for fans of Hollywood’s wittiest and most glamorous
era. (Sourcebooks, 384 pp., paperback/ebook, July, 2023
Double Decker Dreams by Lindsay McMillan
The impact of British rom-com films on impressionable
management consultant Kat results in a surprising relationship during her
six-week work stint in London. Her determined climb up the corporate ladder
results in a work from home gig in a flat with a bus stop view. Repeatedly
spotting an attractive morning commuter who personifies her romantic fantasy of
a posh British aristocrat—or royal—she decides to pursue him. But the reality of
Rory is a disappointment, because her crush turns out to be a fellow Yank, a
primary school teacher who has a hometown honey back in the States. However,
these unfortunate facts don’t preclude a supportive friendship, which blossoms
into a conflicted romance at the same time Kat must navigate a problematically
masculine workplace. The combination of lightness and depth, and the London
setting will find favor with fans of films and novels based on similar American-in-Britain
tropes. (Alcove Press, 336 pp., paperback/ebook/audio, June, 2023)
Beyond That, the Sea: A Novel by Laura Spence-AshIn her debut work of fiction, Laura Spence-Ash charts the lives and longings of her characters during the World War II years, and in subsequent decades, as relationships and connections and identities shift. As a young girl, Beatrix is shipped by her parents to the Gregory family in Massachusetts remove her from the dangers of the London Blitz. The reluctant evacuee’s assimilation into the upper-class American household, a sharp contrast to her own, is complicated but eventually solid and complete. Each of the section is identified by its viewpoint character—Beatrix; her parents; each of the adult Gregorys; their vastly different sons, Gerald and William, and others entering the story later. The Maine cottage where Beatrix and her hosts spend every summer serves as an anchor and a talisman, until financial straits and advancing age take a toll on family members. Living up to expectations, one’s own and those cherished by others, and the attendant difficulties, are a consistent theme.
At the conclusion of the war, Beatrix is reclaimed by her surviving parent, returning to a London altered by time and destruction. Unable to feel wholly at home, she must forge her own professional path while struggling to find a compatible partner in romance.
The only (relatively minor, but recurrent) flaw is an accurate degree of Englishness in the English characters, whose Americanisms in speech and narrative can be jarring. Overall, the writing is beautiful and insightful, and tragedy and heartbreak are exquisitely rendered throughout. (Celadon Books, 368 pp., hardcover/ebook/audio, March, 2023)
Don’t Think, Dear: On Loving and Leaving Ballet
by Alice RobbRobb’s analysis, primarily written from the female
perspective, of the pleasures and perils and psychology of the dancer’s life is
based on personal experience as well as a synthesis of other ballet performers’
careers, either from their memoirs, biographies, or interviews. Some, like
Margot Fonteyn or Misty Copeland or Gelsey Kirkland, are well known beyond their
respective generations. Others have toiled in near-obscurity, pursuing the
elusive goal of perfection in their art. Admitted to New York’s School of
American Ballet (SAB), founded by famously dictatorial choreographer George Balanchine,
Robb is unable to meet the superior standard required of aspirants to the New
York City Ballet or American Ballet Theater. She is eventually excluded from
the rarified profession she desires.
Her more fortunate classmates suffer similar—though
well-concealed—doubts and stress. Their careers are hampered, even destroyed,
by injury, overwork, and exhaustion. Or worse, what cannot be altered—a body
type or skeletal that may appear outwardly normal but is deemed by teachers and
administrators as a distortion of the ideal. The need to “lengthen,” a
euphemism for weight loss, and the constant assessment and criticism of
physical flaws, result in eating disorders and persistent body image trauma. Spending
an entire day in a mirrored studio or classroom has lifelong consequences, even
for those who abandon or are driven out of ballet.
Hidden from the appreciative and awed audience is
the agony imposed by the constricting pointe shoes and the various foot injuries
and blemishes beneath the pink satin. For the dancer who is training or
rehearsing, pain equal progress, and therefore must be ignored. There are many
more professional hazards: sexual bullying or predation by superiors, a
dependence upon being constantly told what to do at all times, and the oddly
contradictory de-sexualizing effects of being partnered by a male dancer, which
involves intimate touching of all body parts and extremely close physical proximity.
And yet, despite its adverse impacts, the spell
cast by ballet doesn’t necessarily dissipate disappointed dancers mature and
move on. Robb charts the second acts of those of her contemporaries and former
classmates as they seek less demanding forms of dance, for exercise of
pleasure, or decide to follow other creative pursuits—writing, painting,
filmmaking. And some strive to teach ballet technique in a more balanced and
sensitive fashion than the one that formed them.
A welcome and highly perceptive addition to the growing
list of books examining dance and dancers, this illuminating and incisive work
is a well-written and rewarding read. (Mariner Books/HarperCollins, 304 pp., hardcover/audio,
February 2023)
The Ingenue by Rachel Kapelke-Dale
Like
The Ballerinas (2021) Kapelke-Dale’s latest delves into
the life of an artist, although unlike her prior novel The Ingenue
focuses on a single individual—and one who has stepped aside from her
performing past.
Saskia
Kreis, a piano prodigy from an early age, develops her gift during a childhood
spend in a privileged suburb of Milwaukee. The daughter of an imaginative
feminist author-artist and a professional cellist, she grows up in in the Elf House, a brewery baron’s ornately fantastic but decrepit mansion. Saskia spends a mostly solitary
and singular girlhood traveling the world, amazing audiences with her
precocious and highly developed talent on the keyboard. But as she enters her teens,
her mother’s much older university colleague, a photographer, takes her under
his wing—and into his bed. Their secret affair has a profound impact on Saskia’s
later life, resulting in the abandonment of music career, dead-end jobs, dodgy
life choices, and damage to her hands in the amateur boxing ring.
Her
mother’s sudden death draws her reluctantly but dutifully back to Elf House, in
the expectation that she and her father will inherit it. Conflict over whether
to keep or sell the dilapidated money pit and surrounding estate become moot
when they discover that Evie Harper Kreis has left it to Patrick Kintner—Saskia’s
seducer, whose surprise inheritance and simultaneous photographic exhibition sparks
the shocking denouement.
Saskia’s
childhood, her difficult coming of age, and the destructive consequences of a disastrous affair are revealed in flashbacks.
Through the course of the story, her weaknesses and resentments are transformed
into strengths. Kapelke-Dale’s revelation of the artistic temperament and creative
passion is especially well done, and her conflicted, motivated, and multi-dimensional
characters are effectively drawn. (St.
Martin’s, 320 pp., hardcover/ebook/audio, December 2022)
The Duchess Countess: The
Woman who Scandalized Eighteenth-Century London by Catherine Ostler
A comprehensive and highly
detailed biography of a Georgian adventuress and her adventures. The depiction
of 18th century England, Europe, and Russia demonstrates a perfect combination
of aristocratic lineage, royal access, ambition, physical attractiveness and
disregard for social norms as embodied by Elizabeth Chudleigh, Countess of
Bristol and Duchess of Kingston.
A member of the royal
household, an intimate of the Prince and Princess of Wales (Frederick and
Augusta) in the reign of King George II, Elizabeth made an impetuous marriage
to the grandson of Lord Bristol. In order to maintain her position as maid of
honour to the Princess, she didn't reveal her marital status, and her
bridegroom was conveniently placed out of the way, first by his naval service
and his foreign travels.
Elizabeth, after bearing and
losing a child--also in secret--presented herself a single woman and gadded about in high society. Her estranged spouse consistently repudiated the marriage and eventually sought a divorce,
which would have required Elizabeth to acknowledge its legality. Her lawsuit
against him resulted in a declaration of invalidity, allowing her to marry
up--to the Duke of Kingston, with whom she enjoyed a brief period of happiness.
At his death, she inherited his property and fortune, and by his will was permitted
to retain them as long as she remained a widow. She also inherited the enmity
of his relatives, who charged her with bigamy, resulting in one of Britain's
most notorious legal proceedings--witnessed by Queen Charlotte (wife of George
III) and members of her family. After the House of Lords declared her guilty,
she spent her time in Prussia, Paris, Rome. In Russia, where she built a
magnificent mansion, she was for a time a curious and barely tolerated member
of Catherine the Great's court.
The subject of this biography
is frequently shown to be her own worst enemy and undeniably unstable, while at
the same appearing as a sympathetic figure due to her ill-usage by the male
establishment that marshalled forces against her. A thorough work with great
depth and detail, this book is recommended to readers interested in the
complexities of this prominent, scandalous, and unrepentant 18th century woman.
(Atria Books, hardcover, paperback, ebook, audio/427 pp., 2022).
The Story of the Country House: A History of
Places and People by Clive Aslet Renowned
historian and former editor of Britain’s Country Life magazine, Clive
Aslet makes excellent use of his expertise and narrative skill in delineating
the long history of domestic architecture and life in his native country.
The
book is arranged by period, from medieval through Tudor and Stuart and
Commonwealth ears, to the Georgians, Victorians, Edwardians, the World Wars and
the time between, post-War, up to current times, with a focus on personalities—architects,
property owners, menials. Trends and fashions, the variations in personal and
the national economies is revealed through representative houses, selected to chart
the rise and fall of the country house. Anecdotes and events associated with
them are well-chosen, and the author’s style is lively and vivid. While Aslet does
tread some familiar and well-covered territory, he does so in a most
informative and engaging fashion, equally scholarly and entertaining.
This
is a welcome addition to the category of British country house history, and
will be appreciated by readers possessing prior knowledge of the subject and those
with none at all. (Yale University Press, 256 Pages, hardcover, paperback,
ebook, audio, 2021)
In the Shadow of the Empress: The Defiant Lives
of Maria Theresa, Mother of Marie Antoinette, and Her Daughters by Nancy Goldstone
The author, who previously depicted European royal
women from the medieval era and Renaissance, provides a tour de force joint
biography of four eminent females of the 18th century Hapsburg
dynasty. The dominant and most influential figure is Maria Teresa, unexpected
heiress of the Austrian empire—which included Hungary, Bohemia, Silesia, portions
of Italy, more. From the outset of her reign, the young empress had to contend
with masculine diffidence, or in the case of various military officers,
incompetence, while her territories were encroached upon and frequently seized by
Frederick of Prussia, whose “greatness” arose from schemes, persistent betrayal
of allies, and determination to conquer as much and as many lands as possible.
Often he defeated the empress’s forces, but sometimes she prevailed. An adoring
wife to a philandering spouse, designated emperor by her design, mother to more
than a dozen children (not all of whom lived), intensely Catholic, and
reform-minded, she was a powerful influence on the three daughters whose lives
are also minutely and incisively examined.
Artistic Maria Christina, “Mimi,” an older
daughter, was a favorite of her pleasure-seeking father Francis, and served her
empress-mother as helpmeet, confidante, and best friend. Her matrimonial
happiness was initially stymied—the man she loved was initially disregarded as unworthy
of a Hapsburg archduchess. Once married, the pair were sent off, though not very
far in terms of distance, to rule Hungary. After her mother’s death, Mimi’s older
brother Joseph—nearly as dangerous a character as Frederick, whom he revered—placed
the skilled and diplomatic couple in the Netherlands, where they and their extensive and valuable art collection were potential victims of the
radical republican wave flowing from France, and were eventually forced to flee from Napoleon
Bonaparte’s forces.
Her sister Maria Carolina had the great misfortune
to be united in wedlock to the dreadful Ferdinand, King of Naples. It turned
out to be the making of her. As forceful a character as her mother, she
succeeded in winning a seat on her husband’s council—by virtue of bearing the
requisite male heir—and essentially became ruler in his stead, leaving him to
enjoy hunting and bedroom exploits. She found a friend in Emma, Lady Hamilton,
the beautiful and scandalous young wife of the venerable British Ambassador,
and who enlisted her help in supplying Lord Nelson with ships in his time of
need. She bore numerous children, losing several when fleeing an invasion by
the French as Napoleon rampaged across Europe by land and by sea.
The most famous, or infamous, is the youngest of
Maria Theresa’s daughters, Maria Antonia. Her youthful frivolities as
archduchess accompanied her into a new life as dauphine of France, where she became
Marie Antoinette. Though the future Louis XVI was neither as uxorious as Maria
Cristina’s spouse, nor as repulsive as Maria Carolina’s, he was no great catch—his
prospects notwithstanding. Goldstone convincingly makes the case that his
awkwardness, halting speech and reclusive habits were indicators of an autism
spectrum disorder. Over time he formed a bond with his wife, who, to her
credit, seemed capable of accepting him as he was. After the couple ascended the
throne, Marie gradually became more serious, even more political, and was a
devoted mother. Axel Fersen, her lover, went to extraordinary lengths to remove
Marie and Louis from France, relying on the assistance of her two older sisters.
His relationship with the doomed queen, the author asserts, was not only
romantic but also sexual. She identifies him as the father of her two youngest
children, including the short-lived Louis XVII, who died soon after his parents
were led to the guillotine.
The family saga is brilliantly rendered,
sweeping the reader from the earliest part of the 18th century into
the Napoleonic age in the first part of the 19th. Her subjects are
presented as women who were tested almost beyond endurance, deeply flawed yet
inherently moral and honest, and all too often misjudged. Goldstone’s style is
eminently readable and entertaining—this is no dry history—no small feat when
covering such a lengthy timeline and the myriad complex relationships, familial
and royal and political. She has a gift for connecting events and dates, tossing
in reminders of precisely how past actions and decisions affected and relate to
what transpired afterwards. Very highly recommended, to the dedicated and the
casual reader of history, and anyone seeking proof that royal women were more
than symbolic mannequins swathed in velvet and wearing a crown.
(Little, Brown and Co., hardcover/ebook, 640 pp,
21 September 2021)
Unearthing The Secret Garden: The Plants and
Places That Inspired Frances Hodgson Burnett by Marta McDowell
This sensitive, appreciative, and exquisitely illustrated book is a welcome gift to fans of Frances Hodgson Burnett’s beloved
novel. It has guaranteed appeal for those who share the author’s passion for
gardening—roses in particular—and many writers who find inspiration in the
natural world. McDowell traces Burnett’s earliest gardening influences, from her
floral-themed childhood alphabet book to an abandoned walled garden in Salford
in the north of England, to the very different environment of Tennessee, to
which her widowed mother emigrated.
Unexpectedly, Burnett did not actually become a
gardener until the age of fifty, long after achieving her youthful success as a
writer for the most popular journals of her day, and following marriage,
motherhood, the creation of the iconic and influential novel Little Lord
Fauntleroy, her tragic loss of a young son, and inevitable divorces. It was
the fortuitous purchase of Maytham Hall in Kent, an unadorned canvas upon which
she could paint in flowers of all kinds, but mostly roses, that provided her
with an Arcadia to absorb a considerable amount of her substantial fortune. The
combination of walled gardens, rose arbors, orchards, and a friendly robin did
not immediately find their way into her fiction. Only after she was forced to
abandon it, in order to join her surviving son in New York, did her memory and
imagination produce The Secret Garden. Her depiction of contrary Mary
Lennox’s rebirth and renewal within the brick walls of her Yorkshire oasis (Maytham
transformed into the more massive Misselthwaite Manor well to the north) arose out of longing for
a place lost to her creator. But Burnett did find solace in making new gardens—at
her London Island mansion and later the Bermuda cottage to which she fled in
avoidance of harsh American winters.
McDowell draws upon her subject’s memoir and
many writings, but also family papers, and presents the reader with a wealth of
photographs of Burnett within her gardens, and the gardens of Maytham as they
exist in the present. In the final section, she includes a selection of Burnett’s
gardening articles as well as a list of plants she grew. In the afterward, a great-great
granddaughter briefly reflects on the familial connection to the classic novel.
This book is a treasure, one for absorbing, reading and re-reading—and sharing
with likeminded persons.
(Timber Press, hardcover/ebook/audio, 320 pp.,
28 September, 2021)
Teatime at Grosvenor Square: An Unofficial Cookbook
for Fans of Bridgerton―75 Sinfully Delectable Recipes by Dahlia Clearwater
This charming collection, inspired by the
Netflix series based on Julia Quinn’s Bridgerton historical
romance novels, offers seventy-five options for entertaining, from sweet treats
to meats. The introduction to each recipe makes generic references to characters,
settings, plot points, or society rules familiar from the episodes. Several
options for scone-making are presented—the classic English scone (fluffy and
tall), as well as various modern variations. There are examples of actual
Regency fare encountered in Quinn or Jane Austen or Georgette Heyer: ratafia
biscuits, flummery, white soup, blanc mange, trifle, orgeat, mulled wine, and meat
pie. The cakes live up to the “delectable” description of the title. For main
dishes, anyone seeking more solid sustenance will be pleased to find recipes
for lamb, duck, turkey, and ham. This would be a welcome addition to any cookbook
shelf, even one belonging to the minority of cooks who might be entirely ignorant
of Bridgerton world. (Skyhorse Publishing, hardcover/ebook, 152 pp.,
22 June, 2021)
The Ballerinas by Rachel Kapelke-Dale
As a connoisseur of ballet books—fiction and
nonfiction—I now rank Rachel Kapelke-Dale’s fiction debut at the very top of my
list of the best, along with an obscure, out-of-print treasured title. The
Ballerinas exquisitely, and often excruciatingly, traces myriad
personal and professional challenges experienced by protagonist Delphine—first
as a youthful dancer at the Paris Opera Ballet, then as a famous choreographer’s
assistant in St. Petersburg, and then as guest choreographer back in Paris. On
her return to the city of her birth, this daughter of a far more famous
ballerina, long deceased, expects to easily slip back into the familiar habits
she knew years. She is reunited with her closest friends—cynical and volatile lesbian
dancer Margaux, keeper of the secret that could ruin their mutual friendship
with the American dancer Lindsay, whose career Delphine intends to revive with
the lead role in a ballet about Alexandra, the doomed Russian Tsarina. She also
has hopes of renewed romance with star dancer Jock, the one who got away. While
dealing with the struggles, rivalries, and demands of her working life, she
suffers from a betrayal that threatens not only her career, but her privacy and
her reputation. Delphine’s high expectations are thwarted. Her relationships
with the ones whose support she relies upon are damaged, often by her own
self-absorption, but also when she is victimized by the callous cruelty of
another.
The gender imbalance within the dance world, the
physical and emotional toll as a dancer’s years advance, the difficulty of
integrating the personal self with the professional demands are sharply
observed and accurately, achingly depicted in each character. The setting for Delphine’s
formative past in Paris, revealed through flashbacks, and her present traumas,
is the city of a native, of a dancer, not the one encountered by tourists, and its
depiction is evocatively true and real. The writing is beautiful, the people
are believable, the insights are thought-provoking, and the conflicts ring all
too true. Not to be missed. (St. Martin's Press, paperback/ebook/audiobook, 304
pp., 7 December 2021)
Being a Ballerina: The Power and Perfection of a
Dancing Life by Gavin Larsen
From a struggling but promising pupil to a
professional ballet dancer whose career spanned nearly two decades, Gavin
Larsen experienced the range of emotional and physical turmoil associated with
a dancer’s existence. In energetic and expressive prose, she articulates the
pains and pressures and pleasures that flow from commitment to her thoroughly
demanding art. “Making a living being tired” accurately describes her sense of
never feeling fully rested. Her search for the right place to perform takes her
from the corps de ballet to soloist to principal, within a respected
professional company, and later as a freelancer. Larsen’s tenacity and stamina
shine through her depictions of the touring life and the quest for the next job
search, inserting herself into daily class among strangers whose rituals and
routines are unfamiliar. Every bourée forward is followed by one or two
backwards, with dread of injury—career-halting or career-ending—always looming
and seemingly inevitable. The frank and graphic account of ballet’s toll on the
body, especially the toes, tendons, and ankles, makes real the agony behind the
beauty seen onstage. Particular attention is given to the specifications and
adaptions of pointe shoes and the mechanics and logistics involved in partnering
and lifts. This is an admirable and extremely well-written memoir of a
perceptive dancer’s artistic and professional challenges. (University Press of
Florida, paperback/ebook, 272 pp. 27 April, 2021)
London’s Number One Dogwalking Agency: A MemoirWhen Kate Macdougall’s latest and last costly mistake as a London
auction house employee results in termination, she decides that a lifelong affection
for canines is sufficient justification for setting up as an urban dog-walker—despite
the fact that she hasn’t had a pet dog since childhood. So begins this delightfully
witty and utterly immersive memoir of the travails and the joys in her quest
for personal fulfillment and monetary sustenance.
In 2006, when she starts her business, dog-walking
wasn’t actually a profession, a fact her divorcee mother will constantly point
out. Alternating from certitude, ignorance, bravado, and doubt, Kate cobbles
together a collection of clients even more idiosyncratic, demanding, and
eccentric than their pampered pets. Her most sterling and useful characteristic
is the ability understand of dogs as a species and as individuals with unique
needs for exercise, companionship, discipline, and diet. Her fond acceptance of
their habits, quirks, phobias, and preferences enables her to match them with
appropriate members of her own staff, each of whom also presents certain
eccentricities that must be coped with or dealt with.
An added complication is the dog owners, who in
the main prove more difficult to handle than their precious but often neglected
pets. Here, too, Kate eventually excels, through trial and error, resignation
and resolve, keeping in mind the needs of the animal each time she confronts
the difficult, demanding, and judgmental humans connected to them. Alert to
class indicators, within her own broken family and those of her clients—the comfortable,
the classy, the creepy—she not only matures, but earns insight into her own neediness
and hopes for the future. She and her employees gamely navigate the city’s challenging
geography and the intricacies of transportation logistics as her clientele
expands. But just as her reputation seems assured, the financial collapse of
2009 and ensuing recession threaten her small measure of success with corporate
ex-pat Americans and Londoners who abruptly decide that a dog walker is a
luxury too far in hard times. It is then, amidst all the stress and panic, that
her canine-averse fiancé suggests getting a dog of their own, an adventure in
itself, and a first true test of their solidity as a couple and their readiness
for marriage, parenthood, and an inevitable search for the ideal location in
which to live.
This is a memoir about dogs—endearing and
memorable and challenging ones—but it’s also very much about humans. How they
relate to their pets and other people, their ease or difficulty in doing the
right thing for themselves and their animals, how their good traits and bad
ones are revealed through their interactions with the dogs and the dog-walkers.
Not only is it beautifully, cleverly written, ultimately it is deeply moving
memoir of overcoming struggles and finding identity and purpose in the life of
a flawed but admirable young woman. (William Morrow, hardcover/ebook/audiobook,
6 July, 2021)
You Belong Here Now, Dianna Rostad’s debut historical novel, offers
a complex and nuanced portrait of home life, community values, and persistent
struggles facing a Montana ranching family in the 1920s. Their challenges
multiply with the arrival of three fugitives from an orphan train traveling
from New York City: teenager Charles, Irish immigrant Patrick, and scrawny
Opal, all of whom have been rejected as adoptees in the course of their cross-country
journey. Nara Stewart, the fiercely independent female protagonist, is dubious
about keeping--much less adopting--the orphans, but the need of farm labor
overcomes her reluctance. Charles, burdened by a violent and possibly criminal
past, grows into a determined protector, not only of his fellow orphans, but
the family who can't fully trust him but strive to redeem him. The characters'
varied internal and external conflicts are realistically portrayed, the period
detail is skillfully blended, and the harsh land itself—its wild creatures and
pervasive threats--are depicted with flair and faithfulness. Very highly
recommended. (April 6, 2021, William Morrow Books, paperback, 368 pp.)
Gardening Hacks: 300+ Time and Money Saving
Hacks by Jon VanZile
In
a well-organized collection of tips and hacks, Master Gardener Jon VanZile
offers hundreds of time- and cost-saving suggestions for the indoor and outdoor
garden. Workable and effective non-toxic and natural shortcuts are a valuable
commodity, and this knowledge is creatively and systematically shared,
numerically and through a searchable index. VanZile covers germination of seeds
and propagation by cuttings, container plants, containers, care of tools, pest
control, and collecting the harvest. Among the more interesting tips: using
honey as a rooting hormone, seed starting in an ice cream cone (not the sugary
kind), cinnamon as an anti-fungal treatment to protect seedlings from wilt, powdered
milk as a calcium booster for tomatoes, and the myriad uses of coffee grounds.
For
some, the proposed outdoor decorations might go against personal aesthetics and
allowable degree of whimsy in the garden—re-purposing broken and discarded
objects into “funky displays” might not suit everyone’s style. But the wealth
of advice presented is sound and safe, and the presentation style is readable
and sincere. (Adams Media, paperback/ebook/audiobook, 256 pp., 6 April, 2021)
Rhapsody, Mitchell James Kaplan's third work of historical fiction,
presents the long and challenging affair between pianist-composer Katharine
Swift (Kay) Warburg and George Gershwin, her extramarital lover, soulmate, and
collaborator. Their compelling story is revealed through evocative prose and
lyrical imagery, peopled with literary and theatrical notables of the 1920s and
30s and replete with references to stage productions and compositions both
obscure and renowned. Situations, settings, and dialogue bring to life the
vibrant period between the world wars, one of innovation and exploration in
music and popular entertainment, experienced atop a lofty pinnacle of wealth,
talent, and emerging fame.
Kay's permissive yet tortured marriage to financier
and sometime lyricist James Warburg, and her detached mothering of three
daughters is overshadowed by focused commitment to Gershwin and her determination
to promote her own musical gifts. And while creativity—solitary and mutual—lies
at the core of the emotional and relational arc, embedded within the novel is
an examination of ethnic and cultural identity in America as
totalitarianism begins its inexorable march across Europe.
Elegantly-attired characters emerge from
exquisite New York apartments to attend elite social gatherings and explore
Harlem jazz joints. They endure rehearsal agonies and celebrate opening nights.
Throughout, Kaplan's skill and the lovers' looming fate propel the reader
towards a poignant but inevitable conclusion. (March 2, Gallery Books, hardcover,
352 pp.)
Comedic and elegiac, farcical
and tragic, complex and engrossing, Leslie Epstein’s Hill of Beans is an
energetic and entertaining depiction of the symbiotic relationship between
moviemaking and warmongering. This detailed and imaginative representation of
Hollywood dynamics and military events, before and during World War II, is
revealed through the minds and motives of multiple characters. The disparate
witnesses are Abdul Maljan, ex-pugilist and masseuse to film mogul Jack Warner
and President Roosevelt, Warner himself, the fictional half-Jewish German
starlet he lures to Hollywood, the Reich Minister Joseph Goebbels, and gossip
columnist Hedda Hopper. With the later addition, at the height of World War II,
of Joseph Stalin and General George S. Patton.
The connections between the film
industry, politics, and war, are wittily and movingly drawn. The author’s
uncles, twin screenwriters Philip and Julius Epstein—Academy Award winners for Casablanca—would have loved this
fictional version of their boss, the priapic punster Warner, their own antics,
and the haphazard creation of their iconic film. (March 1, 2021, High Road Books, hardcover, 352 pp.)
London and the Seventeenth Century: The Making of the World's Greatest City
by Margarette Lincoln
Relying on descriptive skill, contemporaneous accounts, and engaging insights, Margarette Lincoln presents the people, economies, concerns, and contradictions of seventeenth century London. In an era when church towers dominated the skyline, matters of faith and pursuits of the flesh drove the citizenry to foment rebellions and indulge in the innumerable pleasures available to them. James I, the first Stuart monarch, was succeeded by his second son Charles, whose death upon the scaffold brought the dynasty to a temporary conclusion. A detailed presentation of the volatile Interregnum, which its many contradictions of puritanical politics and economic thrust, is followed by the Restoration.
Like his father, the second Charles understood the imagery of kingship—as well as the high costs of rigidity and raising the displeasure of the populace. Coronation swag, one learns, is no new thing, neither is the royal interest in fostering positive and powerful imagery of kingship. Tested by years of exile, Charles confronted plague, fire, and wars, while many of his subjects sought entertainment in playhouses and coffee houses, and others pursued scientific investigations. The author devotes significant attention to the crucial shipping trade and the expansion of commerce to the Indies, East and West. His busy reign was succeeded by his Roman Catholic brother’s very brief one, and on the accession of his nephew and niece, William and Mary, Parliament’s power was reinforced, and the nation’s purse was directed to the Continental war, a preoccupation of the Dutch-born king. This monumental achievement in research and presentation brings to life a fascinating and extremely turbulent era in the life of this great and influential city. (February 23, 2021, Yale University Press, hardcover/ebook, 384 pp.)
